sarah biscarra dilley

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 Sarah Biscarra Dilley, qšišimuʔ, video collage (still), 5:51 (looping), 2018-2020.

Sarah Biscarra Dilley, qšišimuʔ, video collage (still), 5:51 (looping), 2018-2020.

 Sarah Biscarra Dilley,  Lassen Land Grab , editorial art commission for “Seeing America’s Wilderness for What It Is,” The Atlantic (Boston: The Atlantic Monthly Group, 2021).    © sarah biscarra dilley 2022, All Rights Reserved.

Sarah Biscarra Dilley, Lassen Land Grab, editorial art commission for “Seeing America’s Wilderness for What It Is,” The Atlantic (Boston: The Atlantic Monthly Group, 2021).

© sarah biscarra dilley 2022, All Rights Reserved.

bear.jpg
  for Antíkoni   commissioned for 2018 performance of  Antíkoni    written by Beth Piatote, directed by Jenni(f)er Tamayo  performed at Phoebe A. Hearst Museum of Anthropology  University of California, Berkeley  What do the living owe the dead, what

for Antíkoni

commissioned for 2018 performance of Antíkoni

written by Beth Piatote, directed by Jenni(f)er Tamayo

performed at Phoebe A. Hearst Museum of Anthropology

University of California, Berkeley

What do the living owe the dead, what are the moral limits of the State, and by what codes do we define what it means to be human? In this modern, haunting adaptation of Sophocles' classic tragedy Antigone, a Native American family is torn apart as they struggle over the fate of ancestral remains and their conflicting loyalties to different notions of tradition, law, and the price of sacrifice.

image-asset.jpg
deer.jpg
alapayasup.jpg
crane.jpg
etsmal.jpeg
 Sarah Biscarra Dilley, qšišimuʔ, video collage (still), 5:51 (looping), 2018-2020.

Sarah Biscarra Dilley, qšišimuʔ, video collage (still), 5:51 (looping), 2018-2020.

hummingbird.jpg
 Sarah Biscarra Dilley,  Yellowstone , editorial art commission for “Seeing America’s Wilderness for What It Is,” The Atlantic (Boston: The Atlantic Monthly Group, 2021).    © sarah biscarra dilley 2022, All Rights Reserved.

Sarah Biscarra Dilley, Yellowstone, editorial art commission for “Seeing America’s Wilderness for What It Is,” The Atlantic (Boston: The Atlantic Monthly Group, 2021).

© sarah biscarra dilley 2022, All Rights Reserved.

movement.jpg
masa.jpg
coyinašup.JPG
 tʸiptukɨłhɨwatʸiptutʸɨʔnɨ (still) video collage 9:33 2018

tʸiptukɨłhɨwatʸiptutʸɨʔnɨ
(still)
video collage
9:33
2018

mišupašup.jpg
birds of prey.JPG
print_baskets.JPG
print_qaq.JPG
cropped_she spoke her affirmation.JPG
spider_full.jpg
łhina

łhina

sarah biscarra dilley, łhina, film, 2024.

 tʸiptukɨłhɨwatʸiptutʸɨʔnɨ (still) video collage 9:33 2018

tʸiptukɨłhɨwatʸiptutʸɨʔnɨ
(still)
video collage
9:33
2018

  she decorated me in flowers   (still)  looping/infinite  video collage  2016

she decorated me in flowers

(still)

looping/infinite

video collage

2016

elk_detail.JPG
 Sarah Biscarra Dilley, qšišimuʔ, video collage (still), 5:51 (looping), 2018-2020.

Sarah Biscarra Dilley, qšišimuʔ, video collage (still), 5:51 (looping), 2018-2020.

coyote.jpg
 tʸiptukɨłhɨwatʸiptutʸɨʔnɨ (still) video collage 9:33 2018

tʸiptukɨłhɨwatʸiptutʸɨʔnɨ
(still)
video collage
9:33
2018

IMG_9247.jpg
DSC_0033.JPG
FINAL_postcard_front.jpg
 Sarah Biscarra Dilley, qšišimuʔ, video collage (still), 5:51 (looping), 2018-2020.

Sarah Biscarra Dilley, qšišimuʔ, video collage (still), 5:51 (looping), 2018-2020.

sbd_9.jpg
a_mija.jpg
tsʔimitipɨtyʔɨ_1.jpg
tissimassu_3.jpeg
tissimassu_2.jpeg
tissimassu_1.jpeg
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 Sarah Biscarra Dilley, qšišimuʔ, video collage (still), 5:51 (looping), 2018-2020.
 Sarah Biscarra Dilley,  Lassen Land Grab , editorial art commission for “Seeing America’s Wilderness for What It Is,” The Atlantic (Boston: The Atlantic Monthly Group, 2021).    © sarah biscarra dilley 2022, All Rights Reserved.
bear.jpg
  for Antíkoni   commissioned for 2018 performance of  Antíkoni    written by Beth Piatote, directed by Jenni(f)er Tamayo  performed at Phoebe A. Hearst Museum of Anthropology  University of California, Berkeley  What do the living owe the dead, what
image-asset.jpg
deer.jpg
alapayasup.jpg
crane.jpg
etsmal.jpeg
 Sarah Biscarra Dilley, qšišimuʔ, video collage (still), 5:51 (looping), 2018-2020.
hummingbird.jpg
 Sarah Biscarra Dilley,  Yellowstone , editorial art commission for “Seeing America’s Wilderness for What It Is,” The Atlantic (Boston: The Atlantic Monthly Group, 2021).    © sarah biscarra dilley 2022, All Rights Reserved.
movement.jpg
masa.jpg
coyinašup.JPG
 tʸiptukɨłhɨwatʸiptutʸɨʔnɨ (still) video collage 9:33 2018
mišupašup.jpg
birds of prey.JPG
print_baskets.JPG
print_qaq.JPG
cropped_she spoke her affirmation.JPG
spider_full.jpg
łhina
 tʸiptukɨłhɨwatʸiptutʸɨʔnɨ (still) video collage 9:33 2018
  she decorated me in flowers   (still)  looping/infinite  video collage  2016
elk_detail.JPG
 Sarah Biscarra Dilley, qšišimuʔ, video collage (still), 5:51 (looping), 2018-2020.
coyote.jpg
 tʸiptukɨłhɨwatʸiptutʸɨʔnɨ (still) video collage 9:33 2018
IMG_9247.jpg
DSC_0033.JPG
FINAL_postcard_front.jpg
 Sarah Biscarra Dilley, qšišimuʔ, video collage (still), 5:51 (looping), 2018-2020.
sbd_9.jpg
a_mija.jpg
tsʔimitipɨtyʔɨ_1.jpg
tissimassu_3.jpeg
tissimassu_2.jpeg
tissimassu_1.jpeg

© sarah biscarra dilley 2024, All Rights Reserved.